Words take time to read, but that’s not the same amount of time that the words communicate…
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Words take time to read, but that’s not the same amount of time that the words communicate…
Are we making progress? How do we communicate that to the reader?
Marie Brennan joins us again, this time to help us field your questions about middles. Here are the questions we collected from the various social media feeds: How do you maintain interest without having something explode every other chapter? In short fiction, how do you prevent try-fail cycles from bloating the…
Character failure is a big part of making the middle of a story work. We talk about why, and offer tips about how to make this work well for you.
Marie Brennan joins us for a discussion of polytheism (and really any belief system) in our fiction.
Lots of people struggle with the middles of their books. One way to look at the middle is that it’s the point where you’re no longer working on that new project that has you excited, but haven’t yet gotten to the cool ending that has you excited. We talk about…
How do you “show, don’t tell” a character’s thoughts? We answer this question, and more!
We talk about how we define and structure scenes in our writing, and we make reference to Scene/Sequel format, the MICE quotient, and pacing.
Media Specialist Kiley Snyder joins us to talk about hooking young readers.
Instead of saying “show, don’t tell,” we say “here’s how to show.”