Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We’ve mentioned “area of intention” earlier in this dialog master class, but now the concept gets the spotlight. If all of your characters have their own agendas, their own areas of intention, then the dialog between them should reflect that.…
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We’re back with Maurice Broaddus for the second in our eight-episode mini-master-class on writing dialogue. This time around we’re addressing the question of dialogue’s “job.” What’s it for? Why is this particular bit of dialogue in this scene,…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Here at the end of our 8-episode intensive series on Worldbuilding we discuss stepping away from the defaults, the clichés, and the tropes, and choosing every element deliberately. There’s nothing inherently wrong with the tropes. We’re just suggesting that they be…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler As we do our worldbuilding with similarity, specificity, and selective depth (per the previous episode), we should take care to apply these things throughout our stories. In this episode we discuss how these elements we’ve world-built can become “textures.” Credits:…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our eighth and final M.I.C.E. Quotient discussion will explore using M.I.C.E. as a diagnostic tool. So… your manuscript is done, but something isn’t working. How do you figure out where the problem is? If the ending isn’t satisfying, M.I.C.E. can tell…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Now that we’ve drilled down into each of the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) it’s time to explore nesting them. This sixth installment in our M.I.C.E. Quotient series focuses on the “FILO” (first-in, last-out) or “nested parentheses” method for…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our fifth M.I.C.E. Quotient episode focuses on the “Event” element, and explores how to use disruption of the status quo as the driving element for story. From plumbing problems to alien invasions, event stories are often structured by telling how difficult…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our third M.I.C.E. Quotient episode asks about the “Inquiry” element, and the ways in which we can use this element to structure our stories—whether we’re writing murder mysteries, thrillers, or anything else in which the turning of pages asks and eventually…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal The next eight episodes are a deep dive into the M.I.C.E. Quotient, so we’ll begin with a definition. M.I.C.E. is an organizational tool which categorizes story elements as Milieu, Inquiry, Character, or Event. It helps authors know which…
Your Hosts: Dan, DongWon, Mary Robinette, and Howard What do you do when some of the key foundations of your authorial (or otherwise creative) livelihood are kicked away? How do you go about repairing, rebuilding, or rebooting your career? Credits: This episode was recorded by Bert Grimm, and mastered by…
