Tools, not rules. For writers, by writers.

14.27: Natural Setting as Conflict

Your Hosts: Brandon, Mary Robinette, Dan, and Howard In this episode we stories with the “Person-vs-Setting” structure. These are stories where nature fills the role of antagonist, and may also be what governs the pacing, and the delivery of key emotional beats. Credits: This episode was recorded by Dan Thompson, and…

13.21: Q&A on Character Depth and Motivation

Your Hosts: Brandon, Valynne, Dan, and Howard Our listeners submitted some great questions! How do you fairly and even-handedly write a deeply compelling character you deeply dislike? What’s the best way to discuss a character’s underlying motivations without expressly stating them in narrative or dialog? How well should characters understand…

18.05: An Interview with Mary Robinette Kowal

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler In this episode Howard Tayler conducts our interview with Mary Robinette Kowal, leading with a wide-open question: “Where did you even?” Mary Robinette talks to us about how she came to the world of writing, and some…

Writing Excuses 4.32: First Paragraphs

Recorded live at Dragons & Fairy Tales in Eagle Mountain, Utah, this episode features the work of several brave souls who submitted their first paragraphs to us for critique. We are not American Idol — we’re not out to rip these to shreds. We offer constructive criticism, highlight the good…

21.24: Deconstructing the Seven Point Plot Structure

Dan Wells joins our conversation as we break down the seven-point plot structure! Using examples from Star Wars, Toy Story, and other films, we discuss how each point creates conflict, drives character growth, and moves a story forward. We explore the difference between plot points that move characters toward their goals and…

21.22: The Order of the Telling

*Time-Sensitive* Our final WXR cruise is almost sold out, grab your spot before June 4th, 2026 here! This week, we are talking about the order in which we present information to the reader as contrasted with the order in which events actually progressed in the universe of this story and why…

21.15: Using Contrast for Maximum Effect

Today, we’re talking about how to use contrast to make key moments in your story hit harder, especially in the middle. We explore how pairing light and dark beats, shifting expectations, or placing opposing elements side by side can deepen the emotional impact and keep your readers engaged. Our conversation…

21.14: Because at First, They Don’t Succeed

Today, we’re talking about the “try-fail cycle” and why failure is essential to making the middle of your story actually interesting. It allows readers to follow characters as they try something, fail, adjust, and try again until they finally succeed. Our conversation gets into how failure builds tension and empathy…