Tools, not rules. For writers, by writers.
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler As we do our worldbuilding with similarity, specificity, and selective depth (per the previous episode), we should take care to apply these things throughout our stories. In this episode we discuss how these elements we’ve world-built can become “textures.” Credits:…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Writers are illusionists, and worldbuilding requires no small mastery of that particular magic. In this episode we’ll explore the creation of believable illusions through the techniques of similarity, specificity, and selective depth. Credits: This episode was recorded by Marshall Carr,…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler In our world, the ostensibly “real” one (simulation theory notwithstanding), stuff is changing all the time. Why, then, do we see so many fantasy worlds whose once-upon-a-times seem timeless? A more important question: how might we, as writers cognizant of…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Let’s follow up on character biases with an exploration of moral frame. When we say someone is “morally gray” or “morally ambiguous,” what we’re really talking about is the way they fit into the moral frame defined by society. In…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler The world of your book is most often shown to us through the eyes of the characters who live in that world. In this episode we discuss the fact that those characters have biases which will distort the reader’s perception…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler We’re beginning another master class, another deep dive series of episodes, and this time around we’ll be led into the realms of good worldbuilding by Fonda Lee. In this episode Fonda talks about her process, which includes plotting…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our eighth and final M.I.C.E. Quotient discussion will explore using M.I.C.E. as a diagnostic tool. So… your manuscript is done, but something isn’t working. How do you figure out where the problem is? If the ending isn’t satisfying, M.I.C.E. can tell…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal With the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) explained, and the concept of nesting, or braiding the M.I.C.E. threads, we’re ready to dive into that most difficult part of the story: the middle. Enough of us dread (or at least…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Now that we’ve drilled down into each of the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) it’s time to explore nesting them. This sixth installment in our M.I.C.E. Quotient series focuses on the “FILO” (first-in, last-out) or “nested parentheses” method for…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our fifth M.I.C.E. Quotient episode focuses on the “Event” element, and explores how to use disruption of the status quo as the driving element for story. From plumbing problems to alien invasions, event stories are often structured by telling how difficult…
