Tools, not rules. For writers, by writers.
Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler Let’s have a discussion about scenes and set pieces, and let’s lead with this: prose writers often create longer pieces using scenes as building blocks, and in this thing writing for game design is very,…
NOTE: Some of these details have CHANGED as of June 9th, thanks to a very cool upgrade Royal Caribbean made to our sailing. The new information is marked in bold italics, and full details are available at the registration link. Join fellow writers for an in-depth masterclass at sea on…
Your Hosts: Mary Robinette Kowal, James L. Sutter, Dan Wells, Cassandra Khaw, and Howard Tayler So, you’re the hero of your own story, and the hero gets choices, and in many ways directs the story. In our discussion of interactive fiction and writing for games, the subject of “player characters”…
Your Hosts: Mary Robinette Kowal, James L. Sutter, Dan Wells, Cassandra Khaw, and Howard Tayler How do you give players meaningful choices while still keeping the story within a reasonable set of boundaries? In this episode James and Cassandra lead us in a discussion of branching narratives, and the ways…
Your Hosts: Mary Robinette Kowal, James L. Sutter, Dan Wells, Cassandra Khaw, and Howard Tayler For the next eight episodes we’ll be talking about roleplaying games, and how that medium relates to writers, writing, career opportunities, and more. We’re led by James L. Sutter and Cassandra Khaw on this particular…
Your Hosts: Mary Robinette, Dan, Amal, and Howard For the last seven episodes we’ve explored language, meaning, and their overlap with that thing we mean when we use language to say “poetry.” In this episode we step back to some origins, including, at a meta-level, the origins of this podcast as…
Your Hosts: Mary Robinette, Dan, Amal, and Howard Rhyming is powerful. It can signal a form, or telegraph whimsy. It can be predictable, surprising, and sometimes both. It may also be seen as childish. When, then, is it time to rhyme? Will rhyming “internally” fit?As opposed to a line-ending bit.For answers,…
Your Hosts: Mary Robinette, Dan, Amal, and Howard How does a poem happen? Absent an external structure, what makes a thing a poem? The key word in that question may be “external,” because ultimately the poem on the page will be the implicit definition of its own structure—even if it borrows…
Your Hosts: Mary Robinette, Dan, Amal, and Howard Rigorous structure in poetic formis commonly pointed at when we declarePoems have meters and rhymes, as the norm. Yet words without patterns can roar like a stormSo why pay attention, why study with careRigorous structure in poetic form? Just set it aside, surrender…
Your Hosts: Mary Robinette, Dan, Amal, and Howard We might begin with description. Or we might begin by deconstructing the act of describing. Wait. No, not there. Let’s jump in AFTER the deconstruction. Let’s leap beyond a statement of topic, let’s hurdle clear of mundane declarations of the audio file’s…
