Tools, not rules. For writers, by writers.
Victoria Schwab, who also writes as V.E. Schwab, joined us in Phoenix to talk about crossover fiction—in this context the term means books that target a given demographic but which have a much broader appeal, or books which straddle the line between age demographics. We discuss some good crossover examples,…
How do we go about describing the clothing our characters are wearing? How do we use that to add depth to our story? What are the common mistakes that writers make when they start dressing their characters? Rebecca McKinney joined us on stage at LTUE to address all this. Liner…
You may still have questions about how to apply elemental adventure in your work. Hopefully your questions are similar to the ones we collected below, because these are the ones we answered: What do readers like more: protagonists going through lots of different incidents and locations, or through a few that…
L.E. Modesitt, Jr. joined us at LTUE for a world building discussion centered around the way the environment informs the story. We talk about lead in Roman plumbing, water lilies in Las Vegas sewers, and coal power in the British Empire, and how these examples can help us more effectively…
Nancy Fulda is back for our second episode on the Idea elemental genre. We cover some tools for exploring an idea, and then drill down a bit on how to use that exploration, or even multiple explorations as “seasoning” elements for a larger work. Credits: This episode was recorded by…
Nancy Fulda joins us to talk about the Elemental Genre of Idea, and how to write stories driven by a sense of fascination.
Let’s map Newton’s Laws of Motion onto writing. Because a wordcount at rest tends to remain at rest…
Welcome to Writing Excuses! Writing Excuses has been running since 2008 so we have A LOT of episodes. Knowing where to start can be tricky so we’ve created a bit of a guide to help you out depending on where you are in your writing and what you are looking…
Lots of people struggle with the middles of their books. One way to look at the middle is that it’s the point where you’re no longer working on that new project that has you excited, but haven’t yet gotten to the cool ending that has you excited. We talk about…
How do you “show, don’t tell” a character’s thoughts? We answer this question, and more!
