Brandon, Dan, Howard, and Mary talk about pitching — a critical skill for new and established authors alike.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Brandon, Dan, Howard, and Mary talk about pitching — a critical skill for new and established authors alike.
Brandon, Dan, Mary, and Howard take questions from the Twitterverse ranging from outlining, character creation, and plot-hole repair to skill development and writing groups.
Jim Hines suffers abuse from Howard and Brandon as the three of them discuss parody, satire, and humor in front of a live audience at Penguicon.
Sherrilyn Kenyon tells us all how to make readers fear for the characters in her books.
Brandon, Dan, and Howard critique some tagless dialog submissions.
Melodrama. What is it? What do people mean when they say something is too melodramatic? Usually they do NOT mean “it’s too much like a classical melodrama,” but it helps if we start with that definition: a melodrama is a story in which each character only expresses one emotion, and/or…
Forget “Anxiety of Influence.” Let’s talk about how to borrow, beg, and outright steal from pop culture, history, and mythology.
A brainstorming session fueled by New Scientist’s “13 More Things We Don’t Understand” article.
What is an Antihero? There are lots of definitions of this word, so Dan boils it down to just three: The Frodo, The Punisher, and The Talented Mister Ripley. And that third definition is the one Brandon believes to be the most correct, at least in the strict literary sense.…
You are going to love this episode. Seriously. Brandon throws an idea at Dan and Howard, and then we spend 15 minutes expanding on that idea as if we were going to base a story around it. You people who keep asking where we get our ideas? You’re asking the…