Tools, not rules. For writers, by writers.
The microphones again find us aboard the Independence of the Seas*, to talk about how terribly ugly this manuscript is, and what we can do to make it pretty. In this episode we drill down on line-by-line, paragraph-by-paragraph revisions. This stage of the revision process is where our prose gets wordsmithed. This…
Dan and Howard are joined by Kameron Hurley, James L. Sutter, and Michael Underwood for an anything-goes Q&A at the GenCon Indy Writing Symposium. We had reached the end of our two-hour block, but the audience hungered for the chance to ask their questions of these guests, so the Symposium gave…
November is “Revision” month here in the Writing Excuses Season 10 Master Class, so while many of you may be tempted by NaNoWriMo, there’s a different kind of work to be done… Delia Sherman joins us again, this time for a frank talk about the tools and techniques we use during…
Delia Sherman joined us aboard the Independence of the Seas for our question-and-answer installment on endings. The questions came from the attendees at the Writing Excuses Workshop, which was, lest anyone forget, on a cruise ship in the Caribbean. The questions: Why do more short stories than novels end on tragic notes? How do…
We talk about how we define and structure scenes in our writing, and we make reference to Scene/Sequel format, the MICE quotient, and pacing.
We answer questions about consistency, alternate histories, and the Great Spoke Plague of ’77
This one’s for all you folks who like to do some world building on-the-fly.
Wes Chu joins us again for a Q&A about this month’s topic: story structure! Here are the questions: Do you make a conscious decision about how to structure your story before you begin writing? Is it necessary to use multiple structures (three-act, Hollywood formula, etc) in order to ensure that…
Wesley Chu joins us for a literal shake-up of our structure for one episode. We had loads of fun with this one. The I Ching is a collection of poems which you consult with numbered sticks. You ask a question, shake a random stick from the cup, and the corresponding…
Our character-focused month continues with an exploration of the challenges involved in building a cast for your story. Whether you’re building a large or small cast, you need to know why you’re putting these people in the book, whether they’re main characters, secondary characters, or spear-carriers, and what purpose each…
