Tools, not rules. For writers, by writers.
Spoiler Alert! If you haven’t yet read Ghost Talkers, by Mary Robinette Kowal, this episode will spoil great swathes of book for you. Also, you probably won’t get as much out of it. This week’s episode is a Project in Depth discussion focusing on Ghost Talkers, by Mary Robinette Kowal.…
We find the elemental relationship in all kinds of stories that are not fundamentally about relationships. The intimate interaction between characters is part of how we define the characters, how we understand who they are as they go on to do the stuff that the story is about. In this…
Steve Diamond joins us again to talk horror, this time about using elemental horror as part of our stories’ elemental ensemble. We discuss how the sense of dread can be a page-turning motivation, and how it can complement the other “keep on reading” motivations we set out to invoke. Credits: This…
Let’s be adventurous. Let’s move beyond simply being cooks, and strive to become chefs. In this episode we explore using the element of adventure as an ingredient in something that has far more than adventure going on in it. Why do we like adventure? What draws the reader forward? Credits: This episode was…
Writing Excuses often features guests as a way to bring different voices and perspectives to the show. Our show would not be possible without our guests, whose expertise and perspectives are a critical part of the podcast. Below is an inexhaustive list of the many guests we have had the…
Nalo Hopkinson joins us again, at sea, for our second Master Class installment on endings. We cover some of the reasons why an ending might not be working, and then talk about the sorts of diagnoses that will help you solve the problem. You’ll likely need to dig deep in…
Character failure is a big part of making the middle of a story work. We talk about why, and offer tips about how to make this work well for you.
Lots of people struggle with the middles of their books. One way to look at the middle is that it’s the point where you’re no longer working on that new project that has you excited, but haven’t yet gotten to the cool ending that has you excited. We talk about…
Recorded live in front of the Out of Excuses students, a crowd of savvy readers if ever there was one, we talk about how to effectively write for readers who are familiar with the genre or story structure in which we’re writing. It’s a tricky problem, since genre fiction is…
So, you’re planning to kill somebody, but you don’t want anyone to see it coming. How do you make that happen? We begin by talking about the hints that writers inadvertently drop, and why they drop those hints. Then we look at how to write without sending those cues, and…
