Tools, not rules. For writers, by writers.
Your Hosts: Brandon, Mary Robinette, Margaret, and Howard What’s the difference between an obstacle and a complication? Margaret Dunlap takes the lead on this episode for us, giving us the tools we need to create ‘impediments to main character progress’ which will drive our stories across page turns (and commercial…
Your Hosts: Brandon, Mary Robinette, Dan, and Howard Season 14 is all about worldbuilding¹, and we’re kicking it off with a discussion of when you do that bit of work. Do you handle worldbuilding before you write the story, as you write the story, or after you’ve finished the story?…
Your Hosts: Brandon, Mary, Dan, and Howard What motivates us? What really motivates us? Why? (Note: our motivations are probably not in service of some overarching plot.) How can we use this information to believably motivate characters? Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.…
It’s the end of 2017, so let’s talk about the things that we’ve tried to make work, and failed at. Not things that we tried before arriving at career-level measures of success—things that we’ve folded, spindled, and/or mutilated since then. There were a lot of them! This episode runs close to thirty…
Your Hosts: Brandon, Piper, Dan, and Howard Our listeners sent us some questions about writing shorter fiction. Here are the questions: How do you market short stories today? Has ebook self-publishing made novellas more viable? How do you structure a short story? How short is too short? Is publishing sections of…
We discuss the ways in which we decide upon the length of the stories we write, and at which point(s) in the creative process we make that decision.
Your Hosts: Brandon, Mary, Dan, and Howard Let’s talk about selling your stuff. In this episode we discuss query letters, pitches, and proposals—the tools that you use to present your material to people who can pay you for it, and who will partner with you in the task of selling…
Your Hosts: Brandon, Piper, Dan, and Howard What can discovery writers learn from outlining? What can outliners learn from discovery writing? Is there a balance between the two that can serve as a happy, productive place for writers? (summary of answers: lots, lots, and yes-but-not-all-writers.) Homework: Write a backward story.…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley We’re speaking again, at least in part, to discovery writers. In this case, we’re talking about how to take a non-outlined work and apply a structure to it in revisions. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex…
Claudia Gray joined us aboard Oasis of the Seas to answer our attendees questions about the Elemental Ensemble. Here are the questions: Can you fit an ensemble into a short story? What the minimum size for an ensemble? Is there a perfect length? Can you put a traitor into an ensemble…
