Fifteen minutes long, because you're in a hurry, and we're not that smart.
The now cancer-free John Brown joins us again, this time for a discussion of the creative process. John has presented a seminar on this subject in the past, the focus of which is to teach people to unlock their creativity. At the core of this is the problem-solving we all engage…
Melodrama. What is it? What do people mean when they say something is too melodramatic? Usually they do NOT mean “it’s too much like a classical melodrama,” but it helps if we start with that definition: a melodrama is a story in which each character only expresses one emotion, and/or…
Suspense! What is it? What isn’t it? What is the relationship between suspense and mystery, and for that matter horror, humor, and adventure? This ‘cast is chock full of pithy quotes, useful advice, and anecdotal examples.
Brandon, Dan, and Howard start at the ending and work their way backwards for your enjoyment.
L.E. Modesitt and Robison Wells join Brandon and Dan for a discussion of “practical” fantasy. Recorded live at CONduit in Salt Lake City.
Forget “Anxiety of Influence.” Let’s talk about how to borrow, beg, and outright steal from pop culture, history, and mythology.
Tragedy. It’s just TRAGIC. Tragedy is also one of the classical forms that writers need to know how to work within. Why? Well… because the Greeks thought we should be forced to have strong emotional responses to literature. Writing Prompt: Write a delightful story about happy, cheerful anthropomorphic creatures who…
You are going to love this episode. Seriously. Brandon throws an idea at Dan and Howard, and then we spend 15 minutes expanding on that idea as if we were going to base a story around it. You people who keep asking where we get our ideas? You’re asking the…
This episode was recorded live at CONduit in Salt Lake City with special guest Aprilynne Pike. Our topic: How do we “keep it real” when writing speculative fiction? What does that even mean? (Okay, it means making the stuff that exists in real life seem real.) Short answer: Research. We…
Don’t you just hate it when things unfold out of order? Why do writers do that? We explain why they do it, and how they do it, and then we discuss how to avoid some common mistakes. Non-linear storytelling is inherently risky, after all. Maybe not as risky as jumping…
