Fifteen minutes long, because you're in a hurry, and we're not that smart.
You are going to love this episode. Seriously. Brandon throws an idea at Dan and Howard, and then we spend 15 minutes expanding on that idea as if we were going to base a story around it. You people who keep asking where we get our ideas? You’re asking the…
Larry Correia, whose debut novel Monster Hunter International hit the market this summer, joins us for a discussion of plot-driven vs. character driven fiction. We start with a definition of terms and a discussion of the battlefield. Then we dive into the nuts and bolts of how to write what…
Mary Robinette Kowal joins us again, live at WorldCon 67 in Montreal! This time we fell back on that tried-and-true “Questions from the Audience” format, so the topic is pretty much what the audience asks for on the fly. If the questions were all over the map, our answers require…
Let’s talk “trimming.” Why do it? Well… because your manuscript is longer than it needs to be. Yes, we’re talking to you. AND you. And you, too. None of you are exempt! (Well… maybe YOU are, but you can’t be allowed to believe it.) So… what do you trim? We’ve…
As we did with The Dark Knight and Watchmen (the comic, not the movie), once again we turn our searing critical insight on a major work of successful storytelling talk about what they did right. If you loved the new Star Trek movie, or even just kind of liked it,…
What are dramatic breaks? We open this episode with Howard very genuinely playing Doctor Watson to Brandon’s Holmes, which is amusing because as it turns out, Howard uses dramatic breaks every day. Simply put they are the points in the narrative, typically at the end of a chapter, where we…
Welcome to Season 3 of Writing Excuses! With eighteen hours and fourteen months of podcasting history behind us, it seems appropriate for us to talk about history, and how to write it. We talk about the iceberg principle — 90% of the history stuff you write never gets seen by…
No matter how grand your setting, how intense your conflicts, or how tight your plot, at some point you’re going to need characters. Join us as we discuss what makes a character interesting, memorable, and unique. Once again, the team is joined by Brandon Mull of “Fablehaven” fame. Brandon Mull’s…
What is horror? Why is it scary? HOW is it scary? Forced by their grandfather’s will to spend an entire night in his spooky mansion, our podcasters gather to discuss the nuts and bolts of what horror is (and isn’t) and how it works behind the scenes. Here’s a hint:…
