Fifteen minutes long, because you're in a hurry, and we're not that smart.
Registration is now open for the 2016 Out of Excuses Writing Workshop and Retreat. The 2016 Out of Excuses Writing Workshop and Retreat will be held from September 17th through the 24th on a cruise ship, back by popular demand. The base price of $1300 covers the full week of intensive seminars,…
The 2016 Out of Excuses Writing Workshop and Retreat will be held from September 17th through the 24th on a cruise ship, back by popular demand.
The base price of $1300 covers the full week of intensive seminars, writing exercises, and free writing time, plus meals, double-occupancy lodging, and a cruise to three different Caribbean destinations.
Daniel José Older joins us for a Q&A on showing your work around. Here are the questions, which were submitted by attendees at the Out of Excuses workshop: What’s the best way to meet editors and agents at conventions? How do you write a good query letter? What do you…
Nalo Hopkinson joins us again, at sea, for our second Master Class installment on endings. We cover some of the reasons why an ending might not be working, and then talk about the sorts of diagnoses that will help you solve the problem. You’ll likely need to dig deep in…
Brad Beaulieu and Jaym Gates join us from the GenCon Indy Writing Symposium to talk about good versus evil, and how your character might swing between the two. And it’s all about that swing. Moral grey areas are more interesting if we move through them. We talk about how we swing the…
Our second installment for the Master Class’s month of context covers the way dialog between characters may change meaning depending upon the context you create for them. This context may be the setting or genre, and it may also be the “beats” in which you describe what a person is…
We’ve talked about plot twists before. This episode covers the way in which the type of plot twist is dependent on, or signaled by, the context of the story. Getting plot twists right may mean surprising the reader, but it’s just as important to have the twist surprise the character.…
Are we making progress? How do we communicate that to the reader?
Let’s get that first page written in a way that will bring the reader to all the rest of the pages.
Joel Shepherd joins Brandon, Mary, and Howard to talk about hard social science.
