Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Brandon, Mary, Dan, and Howard Our characters become far more interesting when they begin interacting with each other. These interactions—these relationships—are often how our stories get told. In this episode we explore ways in which we can fine tune relationships in service of our stories. The tools include…
Your Hosts: Brandon, Valynne, Dan, and Howard Brandon wanted to ask us how our perspectives on character have changed since the very beginning of our writing. It’s a difficult question to answer, and a very soulful sort of thing to answer in front of other people. So Brandon went first while…
Your Hosts: Piper Drake, Aliette de Bodard, and Wesley Chu, with special guest Ken Liu Our hosts for this episode are experts in a great many different things. One thing that they have in common is that they’re all members of the Asian Disapora, and in this episode we’ll learn what…
Your Hosts: Brandon, Valynne, Dan, and Howard Our listeners submitted some great questions! How do you fairly and even-handedly write a deeply compelling character you deeply dislike? What’s the best way to discuss a character’s underlying motivations without expressly stating them in narrative or dialog? How well should characters understand…
Your Hosts: Brandon, Mary, Dan, and Howard What motivates us? What really motivates us? Why? (Note: our motivations are probably not in service of some overarching plot.) How can we use this information to believably motivate characters? Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.…
Your Hosts: Brandon, Mary, Amal, and Maurice Let’s talk about characters who have conflict built right into them; characters whose attributes and attitudes might seem to contradict one another; characters who like, y’know… actual people. (And let’s talk about how to write them). Homework: Play with The Sorting Hat Chats, and sort…
Your Hosts: Brandon, Mary, Amal, and Maurice What are our favorite techniques for managing large casts of characters, and how do our processes differ from when we’re writing small casts? What does “large” and “small” mean for us? Liner Notes: No, Howard was not in the room. Yes, despite his absence, he…
Your Hosts: Brandon, Mary, Dan, and Howard How do you go about defining a character for your readers when you don’t have many words to devote to the project? What are the tricks for quickly establishing someone’s individuality within your story? Credits: This episode was recorded by Dan Thompson, and mastered…
Your Hosts: Brandon, Mary, Dan, and Howard What’s the difference between villains and antagonists? How is an obstacle character different from those other two? How are they alike? And most importantly, how can we use this information to write effective opposition to our heroes, protagonists, and main characters? Credits: This…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley How does the shape of your physical medium change the art you’re making? What are the tools that affect our storytelling, and what are those effects? Credits: This episode was recorded in Chicago by Andrew Twiss, and mastered by Alex Jackson. Homework: Play…
