Fifteen minutes long, because you're in a hurry, and we're not that smart.
All unreliable narrators aren’t unreliable in the same way. How do they differ and how does that change the way that we write them? Erin shares her unified theory (look at the graphic below!) of unreliable narrators. Homework: Take an event that you’re familiar with, and write about it as…
It’s week four of NaNoWriMo! Or, National Novel Writing Month, which happens every year for the month of November. This week, we are talking about how to write climaxes, how to write resolutions, and what exactly the three-quarter mark is. How do you write a climax scene? How to keep…
We are now three weeks into NaNoWriMo—where writers are attempting to write a novel in the month of November. For this episode, our writers talk about how to raise the stakes in your story. To make something feel more threatening, you don’t have to make it bigger or flashier, but…
The first episode in our eight-episode Deep Dive into Howard’s weekly webcomic strip, Schlock Mercenary. We grill Howard on how he taught himself to draw, why he decided to self-publish (hint: his wife, Sandra Tayler, helped him), and how he managed to write an ending. Homework: The “How it should have ended”…
How do you slowly reveal the supernatural in an obviously supernatural story? How can you prepare your audience for a reveal without disclosing it too quickly? If someone is familiar with your writing, they know the genre and what to expect from it. We talk about how we work within these confines…
Back in February, with Episode 18.8, we began exploring the process of writing a mystery story. That episode led us into a series of six episodes about tension, and the tools we use to create and manage it. And now, with this episode (and a toolbox full of tension) we’re…
Our deconstruction and categorization of tension continues this week with an exploration of Juxtaposition, which is a contrast between two elements that supplies tension by allowing the reader to insert themselves. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It…
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We’ve mentioned “area of intention” earlier in this dialog master class, but now the concept gets the spotlight. If all of your characters have their own agendas, their own areas of intention, then the dialog between them should reflect that.…
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We’re back with Maurice Broaddus for the second in our eight-episode mini-master-class on writing dialogue. This time around we’re addressing the question of dialogue’s “job.” What’s it for? Why is this particular bit of dialogue in this scene,…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Here at the end of our 8-episode intensive series on Worldbuilding we discuss stepping away from the defaults, the clichés, and the tropes, and choosing every element deliberately. There’s nothing inherently wrong with the tropes. We’re just suggesting that they be…
