Fifteen minutes long, because you're in a hurry, and we're not that smart.
And now for your questions about revision. Or rather, questions from the WXR attendees, who were aboard the Independence of the Seas with us (the answers to these questions are secreted away in the audio file…): During revision, when do you think it’s acceptable to throw the whole thing out?…
The microphones again find us aboard the Independence of the Seas*, to talk about how terribly ugly this manuscript is, and what we can do to make it pretty. In this episode we drill down on line-by-line, paragraph-by-paragraph revisions. This stage of the revision process is where our prose gets wordsmithed. This…
Dan and Howard are joined by Kameron Hurley, James L. Sutter, and Michael Underwood for an anything-goes Q&A at the GenCon Indy Writing Symposium. We had reached the end of our two-hour block, but the audience hungered for the chance to ask their questions of these guests, so the Symposium gave…
November is “Revision” month here in the Writing Excuses Season 10 Master Class, so while many of you may be tempted by NaNoWriMo, there’s a different kind of work to be done… Delia Sherman joins us again, this time for a frank talk about the tools and techniques we use during…
Delia Sherman joined us aboard the Independence of the Seas for our question-and-answer installment on endings. The questions came from the attendees at the Writing Excuses Workshop, which was, lest anyone forget, on a cruise ship in the Caribbean. The questions: Why do more short stories than novels end on tragic notes? How do…
Nalo Hopkinson joins us again, at sea, for our second Master Class installment on endings. We cover some of the reasons why an ending might not be working, and then talk about the sorts of diagnoses that will help you solve the problem. You’ll likely need to dig deep in…
Nalo Hopkinson joins us for this episode, which we recorded before a live audience of Out Of Excuses Workshop & Retreat attendees. October’s master class episodes focus on endings, and in this first installment we talk about what an ending really is. It’s obviously the last part of the book,…
Kevin J. Anderson joined us at Sasquan/WorldCon 73 to take questions about plot twists. Here are the questions that came in from our live audience: Genre Twists: good, bad, or ugly? Can you compare and contrast a good plot twist with a bad one? What is the biggest mistake professional…
Our second installment for the Master Class’s month of context covers the way dialog between characters may change meaning depending upon the context you create for them. This context may be the setting or genre, and it may also be the “beats” in which you describe what a person is…
We’ve talked about plot twists before. This episode covers the way in which the type of plot twist is dependent on, or signaled by, the context of the story. Getting plot twists right may mean surprising the reader, but it’s just as important to have the twist surprise the character.…
