Fifteen minutes long, because you're in a hurry, and we're not that smart.

17.33: Building Tension

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Tension! In this episode we discuss the ways dialog can build and/or maintain tension, especially when placed in context with the rest of the scene. Liner Notes: A great article about tension for those who (like Howard) may need a…

17.31: Everyone Has an Agenda

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We’ve mentioned “area of intention” earlier in this dialog master class, but now the concept gets the spotlight. If all of your characters have their own agendas, their own areas of intention, then the dialog between them should reflect that.…

17.29: The Job of Dialogue

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We’re back with Maurice Broaddus for the second in our eight-episode mini-master-class on writing dialogue. This time around we’re addressing the question of dialogue’s “job.” What’s it for? Why is this particular bit of dialogue in this scene,…

17.27: Ensembles Behind the Scenes

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler In this, our final “ensemble masterclass” episode, we discuss the nuts-and-bolts, the tips and tricks, the tools of the trade. In short, we talk very specifically about how we do it. Color-coded sticky notes, index cards, spreadsheets, and more… Liner Notes: Howard’s…

17.25: Archetypes, Ensembles, and Expectations

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler We’ve talked about making every member of the ensemble meaningful. In this episode we’re discussing who, in archetype terms, everybody is. How can archetypes help us get started, how can they help us set reader expectations, and what are the archetype-related pitfalls…

17.22: Establishing the Ensemble

Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Every character in your ensemble needs to matter to the team, or they probably don’t belong in the ensemble. Zoraida Cordova leads us into this discussion of how we build our ensembles, how we introduce the characters, and how we ensure that…

2022 Scholarship Winners

Winners of the 2022 Writing Excuses Workshop and Retreat scholarships have been selected! The application process was conducted in a compressed timeline this year, in which applicants prepared and sent us their submissions digitally, including writing samples, letters of recommendation, and a personal essay. Applications were carefully reviewed in a…

17.15: Storytelling in the Footnotes

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler You probably already know what footnotes are¹, but have you ever seen a story told through the footnotes²?  It’s similar to the story-within-a-story structure, but there’s more to it than that. In this episode our guest host Peng…

17.5: The Promise of the Brand

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd Your brand—your name, the cover art for your book, and even the typeface for the title—set expectations for the book’s contents. That advice about not judging a book by its cover? It’s lovely in theory, but in practice, that’s just not how it…

16.50: Worldbuilding Finale: Making Deliberate Choices

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Here at the end of our 8-episode intensive series on Worldbuilding we discuss stepping away from the defaults, the clichés, and the tropes, and choosing every element deliberately. There’s nothing inherently wrong with the tropes. We’re just suggesting that they be…