Jim Hines suffers abuse from Howard and Brandon as the three of them discuss parody, satire, and humor in front of a live audience at Penguicon.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Saladin Ahmed, Nebula- and Campbell-award nominee joins Brandon and Howard for a discussion of setting — specifically, setting an epic fantasy in something besides the traditional, Western European middle ages.
Brandon, Dan, and Howard brainstorm an urban fantasy set in a big-box store in Park City, Utah.
Let’s talk about bibles. Specifically, story bibles. What are they, why do we use them, why might we NOT use them, and what tools are working for us? Howard again plugs wikidpad, which he converted Brandon to, and which Dan Wells just couldn’t bring himself to love. Dan uses several…
We begin our discussion of Urban Fantasy with a discussion of definitions, which quickly devolves into an argument over what we are actually supposed to be talking about. Moving right along, we explore what sorts of things we find in an Urban Fantasy, and what sorts of rules these stories…
Sarah Eden and Robison Wells join Dan and Howard at LTUE to talk about writing romance. Sarah writes in the romance genre, but we’re not focusing on the genre — we’re talking about writing romance within the context of whatever else we might happen to be putting on the page.…
John Brown joins us this week for a discussion of plot threads specific to characters. These can be the main plot thread, interesting sub-plots, or just things that shape characters. Sometimes they’re things we do deliberately, and sometimes we discovery-write our way into these arcs. We talk about how we…
Brandon, Dan, and Howard discuss “Write what you DON’T know.”
Suspense! What is it? What isn’t it? What is the relationship between suspense and mystery, and for that matter horror, humor, and adventure? This ‘cast is chock full of pithy quotes, useful advice, and anecdotal examples.
Bree Despain joins Brandon, Dan, and Howard for a discussion of writing in the 1st-person