Let’s get that first page written in a way that will bring the reader to all the rest of the pages.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Let’s get that first page written in a way that will bring the reader to all the rest of the pages.
Wesley Chu joins us for a literal shake-up of our structure for one episode. We had loads of fun with this one. The I Ching is a collection of poems which you consult with numbered sticks. You ask a question, shake a random stick from the cup, and the corresponding…
If there’s a crowd with good questions, it’s the Out of Excuses Workshop and Retreat attendees. Given the trend toward moral ambiguity, is there still a place for an unquestionably evil character? Should you publish a first book that isn’t in the style or genre that you’re ultimately interested in?…
Sara Glassman joins us to talk about back cover copy, covers, query letters, signings, and what booksellers look for on page one.
We were thrilled to have Peter Beagle join us for an episode, recorded live at Westercon 67. We talked about the writer’s mindset, and how to get into it. Peter schooled Brandon before the episode even began, and then proceeded to school all the rest of us. Peter is an absolute delight to…
Deirdre Saoirse Moen, who organizes fan-run literary cons and schedules programs for them, joins us to talk about programming from the convention’s point of view.
Registration is now open for the 2015 Out of Excuses Writing Workshop and Retreat. For the last two years the event has had a very limited size, and as a result has sold out very quickly. For 2015 we have moved to a new venue, removed the attendance limit, and…
Peter Orullian joins us in front of a live audience at Westercon 67 for a Q&A. The questions include: As a writer, how do you handle reviewing other people’s books? How do you compartmentalize your writing to prevent that obsession from displacing everything else? (Here are the signs we talked about)…
In which we discuss adjusting how competent our characters appear…
How do we interact with readers who find meaning in our works that we don’t recall putting in there?