Fifteen minutes long, because you're in a hurry, and we're not that smart.

12.7: Description Through the Third Person Lens

Your Hosts: Brandon, Mary, Mary Anne, and Wesley The third-person POV lens can be used for simultaneously describing the world to the reader and describing the character. In this episode we’ll talk about where we deploy these tools, where the pitfalls are, and how to do it well. Credits: This episode…

12.4: Hybrid Viewpoints

Your Hosts: Brandon, Piper, Dan, and Howard, with Sandra Tayler Piper J. Drake joins the cast for our week-four episodes, of which this is the first. This week we’ll be drilling down into hybrid viewpoints—blending 1st and 3rd person, framing stories, stories-within-stories, and unreliable narration—and how to best serve our work…

12.3: Project in Depth, “Risk Assessment,” by Sandra Tayler

Your Hosts: Brandon, Mary, Dan, and Howard, with Sandra Tayler This Project in Depth episode contains spoilers for “Risk Assessment,” which is included in Force Multiplication: Schlock Mercenary Book 12. The story was written by Sandra Tayler, and illustrated by Natalie Barahona. Howard handled the writing and illustrating for the framing story, but…

11.52: Elemental Ensemble Q&A, With Claudia Gray

Claudia Gray joined us aboard Oasis of the Seas to answer our attendees questions about the Elemental Ensemble. Here are the questions: Can you fit an ensemble into a short story? What the minimum size for an ensemble? Is there a perfect length? Can you put a traitor into an ensemble…

11.42: Elemental Drama as a Sub-Genre

Focusing on elemental drama can be tricky. Remember, elemental drama is basically “character change.” A great many stories use character change in some way—it’s almost ubiquitous. In this episode we’ll pick at the ubiquity, and look at the many different ways in which character change can be featured, and what sort of tools we have at our…

11.Bonus-01: Characterization and Differentiation, with Robin Hobb

Robin Hobb joined us at GenCon Indy for a discussion of characterization and differentiation. And by “discussion,” what we really mean is “we ask Robin all the questions.” We learn about Robin’s process for creating characters, wrapping stories around them, and making these characters distinctly different from each other. Credits:…

11.36: The Elemental Relationship

In elemental relationship stories the primary page-turning driver is the relationship between two or three characters ¹. In this episode we discuss ways in which we can write character relationships—parent/child, buddy-cop, romance, and more—to be compelling. Credits: this episode was recorded by Jeff Cools, and mastered by Alex Jackson ¹We’re…