Fifteen minutes long, because you're in a hurry, and we're not that smart.

18.50: The Unreliable Narrator

All unreliable narrators aren’t unreliable in the same way. How do they differ and how does that change the way that we write them? Erin shares her unified theory (look at the graphic below!) of unreliable narrators.  Homework:  Take an event that you’re familiar with, and write about it as…

18.49: Giving Your Story A Voice

What does it mean if your writing is voice-y?  How do you give your character a natural voice? We approach this question from the high-level perspective of craft, and the granular level of word choice and sentence structure. Erin talks about the research she did about Appalachian English for her…

18.48: NaNoWriMo Week 5 – Writing Endings

Welcome to the last week of National Novel Writing Month! It’s okay if you aren’t going to finish your book, and it’s also okay if you don’t have 50,000 words! You still did a thing—you created a story that didn’t exist  We want to talk about endings. How do you…

18.44: NaNoWriMo Week 1- Getting Started

Welcome to National Novel Writing Month! For November, writers all over the world are trying to complete a novel, or write 50,000 words. In honor of NaNoWriMo, all of our November episodes are going to focus on writing a novel or big project.  For our first week—starting! How do you…

18.42: Creating Magic Outside of a System

How do you write about magic? How do you build a world with magic and spells and potions? We dive into the rules and laws behind magical worlds. We often think of magic as being with a system, but what if it’s not? What opportunities and challenges do intrusive magic/emergent…

18.39: How To Write An Ending

Deep Dive: Sergeant In Motion How do you write an ending to a book? How do you finish something you’ve been writing for over 20 years? Howard Tayler talks to us about writing the ending to his serialized webcomic and space opera, Schlock Mercenary. We dive into how to write a…

18.37: Mandatory Failure

We talk with Howard Tayler about the story structure of a story with a BIG disaster in the middle – one which we don’t recover from until the next book. We also talk about the weight of world-building, how to write for your ideal reader. And Howard considers the question, what…