Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Dan, Mary, Aliette, and Howard, with special guest Emma Newman Emma Newman, author, audio book narrator, and podcaster, joined us on the Baltic sea for WXR 2017, where, six days after a brilliant presentation on overcoming fear, she recorded a session with us on the same topic. The…
Your Hosts: Brandon, Mary, Dan, and Howard What motivates us? What really motivates us? Why? (Note: our motivations are probably not in service of some overarching plot.) How can we use this information to believably motivate characters? Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson.…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley How does the shape of your physical medium change the art you’re making? What are the tools that affect our storytelling, and what are those effects? Credits: This episode was recorded in Chicago by Andrew Twiss, and mastered by Alex Jackson. Homework: Play…
Brian McClellan joined us to field questions about writing novels and series. Here are the questions: How do you write an ending that is open for sequels, but isn’t a cliffhanger? Is it a good idea to take a large novel, and release it instead as serial novellas? Can you…
Your Hosts: Brandon, Mary, Dan, and Howard We’re going to share some of our experiences with NaNoWriMo (National Novel Writing Month) in an effort to encourage you to participate in ways that will advance you toward your goals. Note: After a week, this is the only photo we’ve found of Wounded Howard. Dan took it, and…
Your Hosts: Brandon, Mary, Dan, and Howard Larger than a short story, smaller than a novel… there’s quite a bit of space between those two thresholds, and in this episode we discuss the ways in which we go about filling that space with a well-structured story. Credits: this episode was…
Revision: it’s when you make a too-short piece longer, or a too-long piece shorter.
Your Hosts: Brandon, Piper, Dan, and Howard Our listeners had questions about outlining and discovery writing. Here are a few of the very best: Do you outline scenes? How? How do you know when to STOP outlining something? How much do you have to know about your character and/or world…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley How might you go about creating great outlines? There are many processes, and we cover several of them. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson. Homework: Take the list of events that you’re considering putting into…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley We’re speaking again, at least in part, to discovery writers. In this case, we’re talking about how to take a non-outlined work and apply a structure to it in revisions. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex…
