Fifteen minutes long, because you're in a hurry, and we're not that smart.
In elemental relationship stories the primary page-turning driver is the relationship between two or three characters ¹. In this episode we discuss ways in which we can write character relationships—parent/child, buddy-cop, romance, and more—to be compelling. Credits: this episode was recorded by Jeff Cools, and mastered by Alex Jackson ¹We’re…
We talk a lot about “raising the stakes” in our writing. When we say “stakes,” we’re referring to the things that keep our characters involved in the conflict, rather than just walking away and doing something else. We dig into what this really means, and how everyone in the story…
Let’s be adventurous. Let’s move beyond simply being cooks, and strive to become chefs. In this episode we explore using the element of adventure as an ingredient in something that has far more than adventure going on in it. Why do we like adventure? What draws the reader forward? Credits: This episode was…
Nancy Fulda joins us to talk about the Elemental Genre of Idea, and how to write stories driven by a sense of fascination.
Writing Excuses often features guests as a way to bring different voices and perspectives to the show. Our show would not be possible without our guests, whose expertise and perspectives are a critical part of the podcast. Below is an inexhaustive list of the many guests we have had the…
We’ve talked about plot twists before. This episode covers the way in which the type of plot twist is dependent on, or signaled by, the context of the story. Getting plot twists right may mean surprising the reader, but it’s just as important to have the twist surprise the character.…
Are we making progress? How do we communicate that to the reader?
Lots of people struggle with the middles of their books. One way to look at the middle is that it’s the point where you’re no longer working on that new project that has you excited, but haven’t yet gotten to the cool ending that has you excited. We talk about…
We answer questions about consistency, alternate histories, and the Great Spoke Plague of ’77
How do you know which bits of your story have to come first?
