Fifteen minutes long, because you're in a hurry, and we're not that smart.
Today, we are doing a very close read of Red’s opening narration and how Red’s voice communicates both character and world in an effective and efficient way. We read several sections aloud and dive into what each sensory detail is doing. Also Mary Robinette talks about what she thinks is the most…
Pacing is one of the most subjective and difficult aspects of storytelling to get right. What is pacing? How do you know what the right pace is for a story, and what techniques can you use to speed up or slow down your narrative? Homework Assignment from Fonda Lee: Take…
Welcome to National Novel Writing Month! For November, writers all over the world are trying to complete a novel, or write 50,000 words. In honor of NaNoWriMo, all of our November episodes are going to focus on writing a novel or big project. For our first week—starting! How do you…
Back in February, with Episode 18.8, we began exploring the process of writing a mystery story. That episode led us into a series of six episodes about tension, and the tools we use to create and manage it. And now, with this episode (and a toolbox full of tension) we’re…
Let’s take all our tension tools and apply them in tiny ways. A big application of tension might be an argument between two characters about a course of plot-important action. Microtension might be those characters arguing about how long to boil eggs. In this episode we’ll explore some favorite applications…
Your Hosts: Dan Wells and Brandon Sanderson, with special guest Jody Lynn Nye So, you’ve decided you want something to be funny. How do you go about making that happen? Jody Lynn Nye joined Dan and Brandon at LTUE, and pitched this topic to them. And yes, it’s much more than…
Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler One common structure—both macro and micro—is the “story within a story,” or “framing story” structure, and yet somehow we’ve never really explored it on Writing Excuses. Guest host Peng Shepherd is here to help us set things right.…
Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd This week we’re talking about giving inevitability to our intended surprise, and we open with a discussion of Chekov’s Gun, which, as a writing rule, is mostly used in inversion. Next week we’ll focus on making inevitable things surprising. Liner Notes: Art and…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Now that we’ve drilled down into each of the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) it’s time to explore nesting them. This sixth installment in our M.I.C.E. Quotient series focuses on the “FILO” (first-in, last-out) or “nested parentheses” method for…
Your Hosts: DongWon Song, Mary Robinette Kowal, Dan Wells, and Howard Tayler In this episode we explore the first page of The Killing Floor, by Lee Childs, with the goal of learning how to build good first pages for own own work. Credits: This episode was recorded by Marshall Carr, Jr., and mastered…
