Fifteen minutes long, because you're in a hurry, and we're not that smart.
The team grills Dan on his audio-only book “Dark One: Forgotten,” which he co-wrote with Brandon Sanderson. We find out how he wrote a book that became a six-part audio series, and why exactly that form is important. *Please listen to “Dark One: Forgotten” before listening to this episode!*. Homework:…
Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler We’re beginning another eight-episode deep-dive series, and this time it’s a fresh approach to story structure, led by our guest host Peng Shepherd. Join us as we zoom right through the overarching frameworks defined via things like the…
Your Hosts: Dan, Howard, Mahtab, and Brandon This episode comes from a question we’re often asked: “how do you stay excited about a story you’re working on?” We talk about how we maintain our passion for the stories we’re working on, and how that’s not the same as being super…
Your Hosts: Brandon, Victoria, Dan, and Howard We’ve talked in the past about how ideas are cheap, and that it’s execution upon those ideas which is what really matters. In this episode we’ll talk about how we evaluate things over there on the side of the equation where things are…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley The third-person POV lens can be used for simultaneously describing the world to the reader and describing the character. In this episode we’ll talk about where we deploy these tools, where the pitfalls are, and how to do it well. Credits: This episode…
Navah Wolfe, an editor at Saga Press, joined us to talk about the manuscripts she would really like to see. Ordinarily we don’t encourage people to write to the market, but Navah asked specifically for the opportunity to tell our listeners what she’s looking for. As it happens, tracking Navah’s wish…
Dan and Howard are joined by Kameron Hurley, James L. Sutter, and Michael Underwood for an anything-goes Q&A at the GenCon Indy Writing Symposium. We had reached the end of our two-hour block, but the audience hungered for the chance to ask their questions of these guests, so the Symposium gave…
Our second installment for the Master Class’s month of context covers the way dialog between characters may change meaning depending upon the context you create for them. This context may be the setting or genre, and it may also be the “beats” in which you describe what a person is…
We wrap up this month’s discussion of pacing with a Q&A. Here are the questions we pulled out of the virtual hat (read: Twitter) for answering during the episode: What are some early indications of a pacing problem? How do you chart pacing so that it remains even? Can you control pacing…
Any discussion of story structure must necessarily take a look at that big, long bit between the beginning and the end, that piece where almost everything actually happens. In this episode we talk about the middles of stories, and how formulaic structures will help you get them to do all of…
