Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Brandon, Victoria, Dan, and Howard How do you create chapters? What are the rules for carving your manuscript into numbered chunks? Is chaptering part of your outline, is it something you discover while you write, or is it something else entirely? In this episode we talk about how we…
Your Hosts: Brandon, Mary Robinette, Dan, and Howard The entire year has been about learning how to worldbuild, and we’ve learned a thing or two ourselves while preparing material for you. In this episode we talk about some of those lessons, and try to answer stray questions that didn’t fit…
Your Hosts: Brandon, Mary Robinette, Dan, and Howard Some science fiction and fantasy stories arise from a premise which, under even just rudimentary examination, appear utterly ridiculous. And some of these stories are hugely successful. In this episode we talk about how we manage our worldbuilding when the goal is less…
Your Hosts: Brandon, Mary Robinette, Dan, and Howard The advice commonly given to writers is to worldbuild an iceberg, but only to show the reader the tip. This is still too much work. Icebergs are big. In this episode we talk about worldbuilding the tip of the iceberg, and then…
Your Hosts: Brandon, Piper, Dan, and Howard We fielded some questions on style, diction, and paragraphing: Is it okay to have pretty prose in a straightforward adventure story? How do author voice and character voice differ? How do you prevent paragraphs from rambling? I feel like my writing is derivative…
Brandon, Piper, Dan, and Howard answer listener questions on viewpoint.
Michael R. Underwood has talked to us about hand-selling books before, but that was about pitching to agents and editors. This time around he’s talking about placing your product in the hand of your customer, the reader. With Michael’s help, we cover some specific sales techniques, guidelines for convention displays, and strategies…
Kevin J. Anderson joined us at Sasquan/WorldCon 73 to take questions about plot twists. Here are the questions that came in from our live audience: Genre Twists: good, bad, or ugly? Can you compare and contrast a good plot twist with a bad one? What is the biggest mistake professional…
This month’s syllabus topic is story structure, and we’ll be starting with the part we start with. And that part usually isn’t the beginning — that’s where the story starts for the reader. We’re going to talk about where the story starts for you. It’s the answer to questions like…
As authors we spend a lot of time trying to make our readers care about the characters we create. We have a wide variety of techniques at our disposal to accomplish this. But do we ever ask ourselves why any of this is possible in the first place? What is it about…
