Some new strategies for getting yourself published. Obviously we guarantee exactly none of them.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Sandra Tayler, Dawn Wells, and Kenny Pike take over the ‘cast with some coaching from Dan (and heckling from Howard) to talk about what it’s like to live with an artist. We cover the ups and the downs, and share embarrassing anecdotes because we know you want to hear them,…
A brainstorming session fueled by New Scientist’s “13 More Things We Don’t Understand” article.
How to write multiple viewpoints effectively, using the tool for the right reasons and avoiding pitfalls.
We’re going to wade into a recent e-brouhaha, but it’s not going to be the Amazon vs Macmillan one. No, this is the one where Dean Wesley Smith argued that authors do not need agents. But you don’t need to read that to appreciate this ‘cast. So… do you need…
If you want to write a good, heroic hero, this is the podcast for you. We’re not necessarily talking about the archetypical, classically-defined, capital-H “Hero” in this podcast, though. We’re talking about what makes readers stand up and cheer. And yes, this can be applied to the archetype, but let’s…
This episode totally would have updated earlier if I’d only known sooner that it was ready to go. Jordo says he emailed me early this evening, but if he HAD then you’d have been listening to this by 8:00pm Sunday. So… how much of that do you believe? Is the…
Mary Robinette Kowal joins us again, live at WorldCon 67 in Montreal! This time we fell back on that tried-and-true “Questions from the Audience” format, so the topic is pretty much what the audience asks for on the fly. If the questions were all over the map, our answers require…
As we did with The Dark Knight and Watchmen (the comic, not the movie), once again we turn our searing critical insight on a major work of successful storytelling talk about what they did right. If you loved the new Star Trek movie, or even just kind of liked it,…
What are dramatic breaks? We open this episode with Howard very genuinely playing Doctor Watson to Brandon’s Holmes, which is amusing because as it turns out, Howard uses dramatic breaks every day. Simply put they are the points in the narrative, typically at the end of a chapter, where we…