Maurice Broaddus joins us to talk about “writing the other” — writing other cultures, races, genders — basically anybody who isn’t much like you.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Maurice Broaddus joins us to talk about “writing the other” — writing other cultures, races, genders — basically anybody who isn’t much like you.
Finishing one project means it’s time to start the next one. And no, it’s not necessarily going to get easier…
What do you do when your villain is more interesting and engaging than your hero? The first step? Admit that this is a problem…
Recorded live at Utah Valley University, here’s another Q&A episode from the LTUE Symposium! The questions: What was Brandon’s plan with Mistborn and the themes regarding establishment? Why does Kelsier shrug so much? (This leads into a fun discussion of “tells.”) How do you know when to stop a chapter?…
Brandon answers “The Way of Kings” questions from Mary, Howard, and Dan.
In this outlining demonstration Mary reads from an early outline, then Brandon, Dan, and Howard brutally dissect it.
Brandon, Dan, Mary, and Howard field questions from Twitter, including what to do if you don’t like your characters, keeping your plot on track, and how grounded in real geography your urban fantasy should be. There is also a question about bacon.
Sarah Pinborough joins Mary and Dan at World Fantasy for a very writerly discussion of London. Also, they discuss using a city as a character.
How do you take a good character and make them evil? And why would you want to do this? Brandon, Dan, Mary, and Howard answer that second question first, and then walk you through the process of doing this.
Brandon, Dan, Mary, and Howard talk about using character foils in building a story.