Fifteen minutes long, because you're in a hurry, and we're not that smart.

Writing Excuses Season 2 Episode 16: Non-Human Races

The Writing Excuses crew returns to world-building, this time to discuss the creation of non-human races. Why do genre-fiction writers use aliens and monsters, short folk, tusked folk, or any other variation on “people” who aren’t human? Can new writers successfully recycle the classic Tolkien races and use dwarves, elves,…

Writing Excuses Episode 25: Viewpoint and Tense Part 2

We are pleased to present the second half of “Viewpoint and Tense,”  which, as we all know, is Tense. Part 1 was Viewpoint. It’s not two podcasts that both talk about tense and viewpoint, it’s two totally different podcasts that share a title for some reason. Why didn’t we just…

Writing Excuses Episode 15: Costs and Ramifications of Magic

This week the Writing Excuses team discusses magic again, this time focusing on the cost of magic. Whether or not your magic system has internally-consistent rules your readers can follow (per Sanderson’s First Law and last week’s ‘cast) you need to consider the ramifications of using magic in the worlds…

Writing Excuses Episode 14: Magic Systems and their Rules

Does magic need rules? Sometimes yes and sometimes no; our intrepid podcasters talk about how to know which situation is which, and explore the pros and cons of each method. We’ll also yak for a while about the differences between Superman and Gandalf, which makes us, if nothing else, huge…

Howard Tayler

Howard Tayler is the writer and illustrator behind Schlock Mercenary, the Hugo-nominated science fiction comic strip. He has written SF horror for the Space Eldritch  anthologies and Shadows Beneath, and full-metal fantasy tie-in fiction for Privateer Press. With Alan Bahr and Sandra Tayler, Howard created The Planet Mercenary Role Playing Game, which included well over 100,000 words of world building. His most…

20.25: Writing Confrontation (LIVE Aboard the WX Cruise)

Our hosts explore how to write compelling confrontations—whether physical fights or emotional arguments—in a live episode recorded on the Writing Excuses Cruise. Building off Dan Wells’ class Why Your Fight Scene Is Boring, our hosts break down reactions into four elements: focus, physicality, thought, and action. The discussion dives into how newness, character…

20.24: An Interview with Charles Duhigg

How can listening inform the way you write? We decided to ask Charles Duhigg is a Pulitzer Prize–winning journalist and bestselling author—best known for The Power of Habit and most recently released Supercommunicators: How to Unlock the Secret Language of Connection, a compelling guide that explores the art and science of meaningful conversation. …

20.23: The Lens of the Senses

How does a room sound? Does your childhood have a taste? What is the smell of summer?  In this episode, we dive into the sensory layers that anchor worldbuilding, character, and perspective. We explore how invoking smell, sound, touch, and taste can transport readers more powerfully than sight alone. What…

20.22: The Lens of Time

Time isn’t just a backdrop—it’s a powerful tool in storytelling. In this episode, we explore how time shapes narratives, beyond just plot structure. From magnifying moments in a fight scene to revealing a character’s morals through temporal shifts, we unpack how timing, pacing, and the passage of time can deepen…

20.20: The Lens of Where and When

Today we’re talking about setting, which in speculative fiction is often called worldbuilding. But once you’ve finished building the world, how do you convey that world on the page? That is, how do time and place shape your story—and your characters?  In this episode, we’re talking about the power of…