Fifteen minutes long, because you're in a hurry, and we're not that smart.
The first episode in our eight-episode Deep Dive into Howard’s weekly webcomic strip, Schlock Mercenary. We grill Howard on how he taught himself to draw, why he decided to self-publish (hint: his wife, Sandra Tayler, helped him), and how he managed to write an ending. Homework: The “How it should have ended”…
In our final episode diving into how and why Dan wrote “Dark One: Forgotten,” talk about how you can take something personal and mine it for fiction. We also tackle the complicated question—Why should you be the one to tell your story? We think about the personal touches that you can…
How do you slowly reveal the supernatural in an obviously supernatural story? How can you prepare your audience for a reveal without disclosing it too quickly? If someone is familiar with your writing, they know the genre and what to expect from it. We talk about how we work within these confines…
What are the best practices for collaboration? How do you write in an established intellectual property (IP)? How do you write a new story in an established world? We dive into working with an individual or a group. We hear stories from our hosts about how they have navigated creative…
Have you ever framed a story within a story? Are you looking for a way to add structure or tension to your story? In this episode, we contemplate the value that can be added to your writing by putting it into a framework. Our hosts discuss various frameworks in fiction—from Frankenstein to Dark…
Let’s talk about the things you can write that are not typically what we talk about—formats that aren’t novels and short stories. In this episode, we’re thinking about scripts, RPG adventures, video game dialogue, etc. What other forms are out there, and how can you apply the skills you already…
In our second episode on Dan Wells’ audio-only book, “Dark One: Forgotten,” we provide you with tools and advice to consider when deciding whether or not to have a narrator. We also talk about location-aware dialogue, or how you can have your characters info dump without it being an info…
“Show don’t tell” is probably the most famous advice given to writers. But. . . we don’t necessarily agree. In our final episode of our deep dive into publishing, we tackle advice: How do you give it? When do you not? Our hosts tell us about the advice they wish they…
Erin Roberts Erin Roberts is a speculative fiction writer who tells stories across formats. Her short fiction has appeared or is forthcoming in publications including Asimov’s Science Fiction, Clarkesworld, Sunday Morning Transport, and The Dark, and has been selected for three Year’s Best collections; she has published interactive fiction in Strange Horizons and Sub-Q Magazine; and her game…
How can we make publishing more inclusive? What role does mentorship play? And how can you reframe competition as collaboration? All this and more in this episode. Homework: What’s one thing that you can do to make someone else’s path easier? Can you take a step towards doing this this…
