Tools, not rules. For writers, by writers.

Scholarships

Writing Excuses Retreat Scholarship Fund Writing Excuses Retreats are in-person events where writers gather to network and hone their craft. The location changes each time, with at least one annual gathering aboard a cruise ship. It’s our goal to make these retreats as accessible as possible. To that end, our…

18.47: NaNoWriMo Week 4 – Climaxes, or OH MY GOD NO

It’s week four of NaNoWriMo! Or, National Novel Writing Month, which happens every year for the month of November. This week, we are talking about how to write climaxes, how to write resolutions, and what exactly the three-quarter mark is.  How do you write a climax scene? How to keep…

18.43: Worldbuilding in Miniature

If you’re writing short fiction, how much of your world do you even need to figure out? Should you have it all written out? Can you just wing it? This week on the podcast, we discuss how much of a world to build for a short story (and how). We…

18.42: Creating Magic Outside of a System

How do you write about magic? How do you build a world with magic and spells and potions? We dive into the rules and laws behind magical worlds. We often think of magic as being with a system, but what if it’s not? What opportunities and challenges do intrusive magic/emergent…

18.37: Mandatory Failure

We talk with Howard Tayler about the story structure of a story with a BIG disaster in the middle – one which we don’t recover from until the next book. We also talk about the weight of world-building, how to write for your ideal reader. And Howard considers the question, what…

18.32: The Kirsten Vangsness Expansion Pack

We have a special guest episode! Kirsten Vangsness, Criminal Minds star, joins us to talk about her experience as a writer, actor, and playwright. She taught us how she deals with imposter syndrome, and how she uses performance as a writing tool. We also talk about self-actualization, cats, and filling…

18.31: Getting Personal: Mining Your Life for Themes

In our final episode diving into how and why Dan wrote “Dark One: Forgotten,” talk about how you can take something personal and mine it for fiction. We also tackle the complicated question—Why should you be the one to tell your story?  We think about the personal touches that you can…

18.30: Planting Supernatural Seeds

How do you slowly reveal the supernatural in an obviously supernatural story? How can you prepare your audience for a reveal without disclosing it too quickly? If someone is familiar with your writing, they know the genre and what to expect from it. We talk about how we work within these confines…