Wes Chu joins Brandon, Mary, and Howard for a live audience Q&A at GenCon
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Wes Chu joins Brandon, Mary, and Howard for a live audience Q&A at GenCon
Cherie Priest joins the cast for a discussion of dystopian fiction before a live audience.
How do you help your readers relate to the non-human characters in your fiction?
The cast talks about making dialogue, blocking, and description work together for exposition and story-telling.
The cast discusses how to make reluctant, non-proactive, non-go-getting characters interesting to read about.
Mary walks Brandon, Dan, and Howard through the processes for writing “Kiss Me Twice,” her Hugo-nominated novella
Brandon, Dan, Mary, and Howard loved “The Avengers,” and would like to tell you what they think the film did right.
Blocking! What is it, why is it important, and how can you do it well?
We begin with an audio glitch and a jumbling of our usual intro. Why? Because it breaks rhythm, and sometimes you may actually want to do that. Narrative rhythm is the pattern of story elements and associated structures that help drive the reader’s pace through a book. Consciously managed, narrative…
Robison Wells discusses writing mentally ill characters with Brandon, Mary, and Dan.