Fifteen minutes long, because you're in a hurry, and we're not that smart.
How do you write dialogue that sounds natural? We have some things to keep in mind when you write conversations between characters. When people converse, they do so with more than just words. Body language, tone of voice, and societal context all play a role in understanding what a person…
Have you ever framed a story within a story? Are you looking for a way to add structure or tension to your story? In this episode, we contemplate the value that can be added to your writing by putting it into a framework. Our hosts discuss various frameworks in fiction—from Frankenstein to Dark…
Have you ever thought of being a publisher, but don’t know if it’s the right choice for you? In this episode, DongWon (an agent at Howard Morhaim Literary Agency) walks you through this world and gives you some tips for how to decide if publishing is the right career for…
Back in February, with Episode 18.8, we began exploring the process of writing a mystery story. That episode led us into a series of six episodes about tension, and the tools we use to create and manage it. And now, with this episode (and a toolbox full of tension) we’re…
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We’re back with Maurice Broaddus for the second in our eight-episode mini-master-class on writing dialogue. This time around we’re addressing the question of dialogue’s “job.” What’s it for? Why is this particular bit of dialogue in this scene,…
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Writer, teacher, and community organizer Maurice Broaddus joins us for an eight-episode mini-master-class on writing dialogue. In this episode he walks us through his three keys: pay attention to how people speak, write in a way that evokes…
Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler In this, our final “ensemble masterclass” episode, we discuss the nuts-and-bolts, the tips and tricks, the tools of the trade. In short, we talk very specifically about how we do it. Color-coded sticky notes, index cards, spreadsheets, and more… Liner Notes: Howard’s…
Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Every member of your ensemble has a reason to be there, but they also have their own voice. Zoraida Cordova joins us for a discussion of how we make our ensemble characters distinct from one another. Credits: This episode was recorded by Marshall…
Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd This week we’re talking about giving inevitability to our intended surprise, and we open with a discussion of Chekov’s Gun, which, as a writing rule, is mostly used in inversion. Next week we’ll focus on making inevitable things surprising. Liner Notes: Art and…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our eighth and final M.I.C.E. Quotient discussion will explore using M.I.C.E. as a diagnostic tool. So… your manuscript is done, but something isn’t working. How do you figure out where the problem is? If the ending isn’t satisfying, M.I.C.E. can tell…
