Fifteen minutes long, because you're in a hurry, and we're not that smart.
You’ve heard about viewpoint, but do you really know what it means? Discover along with Howard the magic world of person, tense, and omniscience, and how you can use them to tell your story. It’s a short journey, as quests go, but we’ll all learn a valuable lesson about writing–and…
Writer Eric James Stone joins the Writing Excuses crew for our third Conduit installment. We tackle questions from the audience again (except for when Brandon throws a question AT the audience, which still had Mike Stackpole in it.) Are plot twists necessary? How does the web change the market for…
Michael Stackpole, author and podcaster, joined us at CONduit, and the four of us tackled plot twists in front of a live audience. Whether you write from a solid outline or discover your plot as you go, we’ve got tricks and tools for you. We talk about “surprising yet inevitable,”…
This week the Writing Excuses team discusses magic again, this time focusing on the cost of magic. Whether or not your magic system has internally-consistent rules your readers can follow (per Sanderson’s First Law and last week’s ‘cast) you need to consider the ramifications of using magic in the worlds…
Does magic need rules? Sometimes yes and sometimes no; our intrepid podcasters talk about how to know which situation is which, and explore the pros and cons of each method. We’ll also yak for a while about the differences between Superman and Gandalf, which makes us, if nothing else, huge…
Pacing… it’s all about keeping the tension up, keeping things snappy, and keeping the reader interested. This week the Writing Excuses crew delivers some tips, tricks, and tools you can use to get your story flowing in all the right ways. Also, on Sunday The Salt Lake Tribune posted an…
This week we continue our discussion on Science Fiction with a discussion of various Sub-genres, why they’re different, and what you can do to make sure you know your audience. Sub-genres covered: Space Opera, Military, Hard SF, and Cyberpunk. Sub-genres not covered: Dystopia, Steam-punk, and whatever it is Philip K.…
Are flaws necessary for villains? What traits make for a really good (err… evil?) villain? What’s the difference between Sauron and Gollum? (“That’s the LAST time I send you out shopping for Gollums, son…”) Liner Notes: The Evil Overlord List, a handy reference for tropes to avoid (or, as the…
Is there a difference between the two? How do you use each appropriately in your writing? And how lovable can a group of mercenaries be? Powered by RedCircle Transcript As transcribed by Mike Barker Internal or external, who’s in control? Why do readers want characters with flaws? And how, as…
What makes a good hero? Why is Dirk Pitt so cool? Why do people like Superman? And why does Howard-with-a-chest-cold start to sound like Barry White? Some of these questions are answered in this episode while others are better left unexplained. LINER NOTES: Howard repeatedly invoked John August’s blog post…
