Fifteen minutes long, because you're in a hurry, and we're not that smart.
This week we continue our discussion on Science Fiction with a discussion of various Sub-genres, why they’re different, and what you can do to make sure you know your audience. Sub-genres covered: Space Opera, Military, Hard SF, and Cyberpunk. Sub-genres not covered: Dystopia, Steam-punk, and whatever it is Philip K.…
Are flaws necessary for villains? What traits make for a really good (err… evil?) villain? What’s the difference between Sauron and Gollum? (“That’s the LAST time I send you out shopping for Gollums, son…”) Liner Notes: The Evil Overlord List, a handy reference for tropes to avoid (or, as the…
Is there a difference between the two? How do you use each appropriately in your writing? And how lovable can a group of mercenaries be? Powered by RedCircle Transcript As transcribed by Mike Barker Internal or external, who’s in control? Why do readers want characters with flaws? And how, as…
What makes a good hero? Why is Dirk Pitt so cool? Why do people like Superman? And why does Howard-with-a-chest-cold start to sound like Barry White? Some of these questions are answered in this episode while others are better left unexplained. LINER NOTES: Howard repeatedly invoked John August’s blog post…
The first line of any story is the most important. People get drawn in to a book because of the first line. Brandon, Howard and Dan talk about how to start a book and what’s important about the first line. Powered by RedCircle Transcript As transcribed by Mike Barker Beginnings are…
Brandon, Howard and Dan discuss where their ideas come from and Howard tells us a little too much about his love of Pepsi. wikidPad Home Page Powered by RedCircle Transcript As transcribed by Mike Barker Okay, I’m behind. But over at http://www.writingexcuses.com/ Brandon Sanderson, Howard Tayler, and Dan Wells are putting out…
