Are we making progress? How do we communicate that to the reader?
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Are we making progress? How do we communicate that to the reader?
Character failure is a big part of making the middle of a story work. We talk about why, and offer tips about how to make this work well for you.
Lots of people struggle with the middles of their books. One way to look at the middle is that it’s the point where you’re no longer working on that new project that has you excited, but haven’t yet gotten to the cool ending that has you excited. We talk about…
We talk about how we define and structure scenes in our writing, and we make reference to Scene/Sequel format, the MICE quotient, and pacing.
Spoilers ahead! We dig into Of Noble Family, by Mary Robinette Kowal, focusing on language, culture, and the extensive research Mary did.
We answer questions about consistency, alternate histories, and the Great Spoke Plague of ’77
You’ve done piles of world building. How do you convey this world to reader without infodumping? We talk about the different skill levels involved, and then the techniques that you’ll be using as you get better and better at what is probably the most critical skill unique to genre fiction…
This one’s for all you folks who like to do some world building on-the-fly.
Let’s get that first page written in a way that will bring the reader to all the rest of the pages.
How do you know which bits of your story have to come first?