Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Brandon, Mary, Dan, and Howard What’s the difference between villains and antagonists? How is an obstacle character different from those other two? How are they alike? And most importantly, how can we use this information to write effective opposition to our heroes, protagonists, and main characters? Credits: This…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley How does the shape of your physical medium change the art you’re making? What are the tools that affect our storytelling, and what are those effects? Credits: This episode was recorded in Chicago by Andrew Twiss, and mastered by Alex Jackson. Homework: Play…
Screenwriter JD Payne joined us before a live audience at LTUE to talk about writing for the screen, specifically regarding doing this work with others in a room full of writers. Homework: Give a character description using only visual cues in 20 words or less. Thing of the week: Boilerplate…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley We discuss the idea of “reinventing yourself,” which can mean anything from “trying something new” to “completely re-branding yourself as a writer,” and how it’s a difficult thing to do without figuring out what it actually is that you’re currently doing. We talk…
Your Hosts: Brandon, Mary, Dan, and Howard Before you can decide on a structure for your series, you may find it helpful to decide what kind of series you’re actually building. We talk about a few of the available options, and how each of them affects the structure. Credits: this episode was recorded…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley When we talk about “raising the stakes,” we mean making the outcomes of the events in a story increasingly important to the reader. In this episode we talk about the tools we use to raise the stakes in ways that are more sophisticated…
Your Hosts: Brandon, Mary, Dan, and Howard We begin our exploration of short story structure with a re-cap of the MACE quotient (Milieu, Ask/Answer, Character, Event). Then we apply that tool to how we structure the pieces we write—specifically the short ones. Liner Notes: Here’s “Evil Robot Monkey” by Mary Robinette Kowal And here’s a…
Revision: it’s when you make a too-short piece longer, or a too-long piece shorter.
We discuss the ways in which we decide upon the length of the stories we write, and at which point(s) in the creative process we make that decision.
Your Hosts: Brandon, Mary, Dan, and Howard Let’s talk about selling your stuff. In this episode we discuss query letters, pitches, and proposals—the tools that you use to present your material to people who can pay you for it, and who will partner with you in the task of selling…
