Elemental Genre becomes particularly useful when you start blending the elements for sub-plots, character arcs, or even mash-ups.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Elemental Genre becomes particularly useful when you start blending the elements for sub-plots, character arcs, or even mash-ups.
What’s the difference between a conference and a convention? How do we, as writers, get the most out of them?
The word “genre” has a lot of weight to it. Arguments about whether a particular work is, or is not, part of a given genre are long, and tedious. Season Eleven will not be engaging in those arguments. We’re giving all that a wide miss by adding an adjective, and defining…
Welcome to Writing Excuses! Writing Excuses has been running since 2008 so we have A LOT of episodes. Knowing where to start can be tricky so we’ve created a bit of a guide to help you out depending on where you are in your writing and what you are looking…
Writing Excuses often features guests as a way to bring different voices and perspectives to the show. Our show would not be possible without our guests, whose expertise and perspectives are a critical part of the podcast. Below is an inexhaustive list of the many guests we have had the…
Ellen Kushner joins us for the last episode of Season 10. Per the title, folks, it’s time to be done. What does “done” mean? How do you go about declaring a project “finished” when you know there are still things wrong with it? How do you clear your head, your work…
Marco Palmieri and Michael Underwood took the stage with Howard and Dan at GenCon Indy 2015 to discuss hand-selling manuscripts. Marco Palmieri is a senior editor at Tor, and Michael Underwood is an author, and is also the North American Sales and Marketing manager for Angry Robot Books. We begin with…
Spoiler Alert! We’ll be discussing the latest John Cleaver book from Dan Wells with author, podcaster, and unrepentant bacon-lover Dan Wells! If you haven’t read it, and you want to be surprised by it, stop listening and grab a copy now!
And now for your questions about revision. Or rather, questions from the WXR attendees, who were aboard the Independence of the Seas with us (the answers to these questions are secreted away in the audio file…): During revision, when do you think it’s acceptable to throw the whole thing out?…
The microphones again find us aboard the Independence of the Seas*, to talk about how terribly ugly this manuscript is, and what we can do to make it pretty. In this episode we drill down on line-by-line, paragraph-by-paragraph revisions. This stage of the revision process is where our prose gets wordsmithed. This…