Mary, Howard, Dan, and Brandon talk about the things we do to feel like professionals.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
We’re now going to have a few episodes focusing on the lens of proximity—specifically, how close you are to a character. Today, we’re talking about first person. First person seems like it would be one of the most natural forms of storytelling, because it’s the one we use when talking…
Brandon, Mary, Dan, and Howard talk about authorial voice, and how to stop being afraid of examining how you “sound” when you write.
Writing Excuses tackles water from the perspective of the fish. Also? The culture surrounding writers.
Brandon talks in depth about his novella “The Emperor’s Soul”
Our hosts explore how to write compelling confrontations—whether physical fights or emotional arguments—in a live episode recorded on the Writing Excuses Cruise. Building off Dan Wells’ class Why Your Fight Scene Is Boring, our hosts break down reactions into four elements: focus, physicality, thought, and action. The discussion dives into how newness, character…
How does a room sound? Does your childhood have a taste? What is the smell of summer? In this episode, we dive into the sensory layers that anchor worldbuilding, character, and perspective. We explore how invoking smell, sound, touch, and taste can transport readers more powerfully than sight alone. What…
Today we have the pleasure of talking with author (and longtime listener!) Chuck Tingle. We invited him on the podcast to talk about breaking the rules—both in terms of how to publish and what to publish. Chuck told us about the business and creative rules that he has upended—he doesn’t do readings,…
We had the pleasure of sitting down with N.K. Jemisin to talk about the structures and processes that helped create The Fifth Season. We talk about outlines, multiple plotlines, and planets as characters. Jemisin lets us into her writing process—ranging from the influence of poetry in her work to her process of…
What cultural and worldbuilding information is embedded within the smallest of word choices? Today, we dive into three specific sections from throughout Martine’s “A Memory Called Empire”: the word for empire, assimilation and naming, and learning the word for bomb. We unpack how Martine uses language to establish important principles…