John Brown joins Brandon, Dan, and Howard for a discussion of second novels, sequels, and the trick to doing it again.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
John Brown joins Brandon, Dan, and Howard for a discussion of second novels, sequels, and the trick to doing it again.
Brandon, Dan, and Howard field questions about doing bad things to characters, soliciting feedback, creature design, and outlining.
The now cancer-free John Brown joins us again, this time for a discussion of the creative process. John has presented a seminar on this subject in the past, the focus of which is to teach people to unlock their creativity. At the core of this is the problem-solving we all engage…
What are the excuses you make when you’re not writing? Brandon, Dan, and Howard examine these, and offer advice for getting the writing done anyway.
Melodrama. What is it? What do people mean when they say something is too melodramatic? Usually they do NOT mean “it’s too much like a classical melodrama,” but it helps if we start with that definition: a melodrama is a story in which each character only expresses one emotion, and/or…
Fast-paced Q&A with Brandon Sanderson, Dan Wells, and Howard Tayler
Brandon, Dan, and Howard discuss “Write what you DON’T know.”
Suspense! What is it? What isn’t it? What is the relationship between suspense and mystery, and for that matter horror, humor, and adventure? This ‘cast is chock full of pithy quotes, useful advice, and anecdotal examples.
Bree Despain joins Brandon, Dan, and Howard for a discussion of writing in the 1st-person
We’ve talked about point of view before, but only in general terms: this time we delve into third-person limited in detail, explaining how to use it and when to use it and why. We apologize for the lateness of the post, and the lameness of this episode description: this is…