Brandon, Dan, and Howard critique some dialog-only writing exercises from listeners.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Brandon, Dan, and Howard critique some dialog-only writing exercises from listeners.
Brandon, Dan, and Howard critique some tagless dialog submissions.
Melodrama. What is it? What do people mean when they say something is too melodramatic? Usually they do NOT mean “it’s too much like a classical melodrama,” but it helps if we start with that definition: a melodrama is a story in which each character only expresses one emotion, and/or…
Welcome to Season 3 of Writing Excuses! With eighteen hours and fourteen months of podcasting history behind us, it seems appropriate for us to talk about history, and how to write it. We talk about the iceberg principle — 90% of the history stuff you write never gets seen by…
No matter how grand your setting, how intense your conflicts, or how tight your plot, at some point you’re going to need characters. Join us as we discuss what makes a character interesting, memorable, and unique. Once again, the team is joined by Brandon Mull of “Fablehaven” fame. Brandon Mull’s…
What is horror? Why is it scary? HOW is it scary? Forced by their grandfather’s will to spend an entire night in his spooky mansion, our podcasters gather to discuss the nuts and bolts of what horror is (and isn’t) and how it works behind the scenes. Here’s a hint:…