If the Element of Wonder is the driving force behind “sense of wonder” science fiction and fantasy, then that same element can be used to give wondrous flavor to stories whose driving force lies among the other elemental genres. We talk about how to use wonder at smaller scales, how to create it with context, and how you might use it in support of the other themes of your story.
We’ve introduced the concept of Elemental Genre already. It’s time to start digging in to the elements themselves, beginning with the Element of Wonder. We started with this one because “sense of wonder” is a term that gets used to describe what makes some science fiction stories work.
In this episode we expand upon the word “wonder” a bit, making the shorthand of “elemental wonder” more useful, not to mention more descriptive. We then go on to detail some methods writers might use to evoke wonder, leveraging that element for the greatest effect in their work.
For our second Elemental Genre episode we discuss using the concept of Elemental Genre to help you manage sub-plots, character arcs, and genre mashups. We’ve each used the tool in these ways, and we provide examples from our own writing, as well as from works we’ve read or watched.
The word “genre” has a lot of weight to it. Arguments about whether a particular work is, or is not, part of a given genre are long, and tedious. Season Eleven will not be engaging in those arguments. We’re giving all that a wide miss by adding an adjective, and defining a new term: Elemental Genre.
During 2016 we are going to explore what we write, why we write, and how we write in much the same way as previous seasons have, but our guidepost this year will be this concept of Elemental Genres. In January we’ll stay high-level and firm up the framework. Starting in February we’ll drill down on each of the Elemental Genres, and explore the writing process.
Here’s what the year will look like, month-by-month:
Take three stories (books, films, whatever) you love, and explore the emotional impact those stories have on you. Strip away the “bookshelf” genre, and try to identify for yourself the core elements that make those stories work.
Lost Stars, by Claudia Gray, narrated by Pierce Cravens
Fifteen minutes long, because you're in a hurry, and we're not that smart.