Your Hosts: Brandon, Piper, Dan, and Howard
You had questions about viewpoint. Here they are!
- Do you have tips and tricks for making 3rd-person omniscient compelling?
- How do you make 3rd-person limited compelling?
- Is it normal to need several drafts to nail down a character’s voice?
- What’s the best way to portray an unreliable 3rd-person limited narrator?
- What are your most effective methods for immersing yourself in character attributes so that you can get the voice right?
- How do you choose between 1st and 3rd person?
- How do you select the viewpoint character for a scene?
- How do you smoothly transition between viewpoints?
- How do you prevent character voices from blending into each other and becoming indistinguishable?
(Our answers are in the podcast.)
Swap dialog between characters. How do different characters say the same thing? How do they react when something they would say is said to them?
Ones and Zeroes: Mirador, Book 2, by Dan Wells