Our second installment for the Master Class’s month of context covers the way dialog between characters may change meaning depending upon the context you create for them. This context may be the setting or genre, and it may also be the “beats” in which you describe what a person is doing while speaking. We talk about how to make this work for you, how to avoid some of the common pitfalls in writing dialog.
Liner Notes: Howard mentioned episode 10.11: Project-in-Depth: “Parallel Perspectives”. If you need to go back and have a listen, now it’s easier!
This is the Transcript Exercise, and it’s a doozy. Take our A/B scene, which is character dialog with no beats, and add the beats and the context to set the dialog in two different genres. There are further instructions in the download at the link above.
Wolf Hall, by Hilary Mantel, narrated by Simon Slater